Kardeş Türküler as ‘art action’: The multiple cultural heritages of Anatolia
Popular Music, cilt.43, sa.2, ss.145-164, 2024 (AHCI, Scopus)
- Yayın Türü: Makale / Tam Makale
- Cilt numarası: 43 Sayı: 2
- Basım Tarihi: 2024
- Doi Numarası: 10.1017/s0261143024000199
- Dergi Adı: Popular Music
- Derginin Tarandığı İndeksler: Arts and Humanities Citation Index (AHCI), Scopus, Academic Search Premier, Periodicals Index Online, Humanities Abstracts, Index Islamicus, MLA - Modern Language Association Database, Music Index, Music Periodicals Database, RILM Abstracts of Music Literature
- Sayfa Sayıları: ss.145-164
- Açık Arşiv Koleksiyonu: AVESİS Açık Erişim Koleksiyonu
- Maltepe Üniversitesi Adresli: Evet
Özet
This article focuses on Kardeş Türküler, a band that reflects the multiple cultural heritages of Anatolia in its concerts and albums. Kardeş Türküler has taken a unique stance in choosing to express itself from a culturally pluralistic perspective rather than following a single language or identity. Referring to Kardeş Türküler as ‘art action’, and utilising the non-reductive methods of John Street that focus on the two-way interaction between music and politics, I conducted in-depth interviews in 2017, 2020 and 2021 with the core members and the former coach of the group regarding its intellectual roots and internal modus operandi. There are three main reasons for Kardeş Türküler’s deep engagement with music as protest: being against the cultural–artistic policies of the Republican period; the political meaning of making multilingual music in Turkiye; and Kardeş Türküler’s engagement with post-neoliberal street protests such as the Gezi Park movement.